Hello, Altenew friends! Norine here, with a simple and easy, but effective technique for using cardstock as a color base with your stamps and markers. It seems obvious and I don’t know why I don’t do this more often, but after today I think I will!
I needed a stack of sympathy cards, which is never a favorite reason to send a card but is still a fact of life. I prefer to make sympathy cards in muted tones and this technique suits that desire perfectly.
Choosing a Colored Cardstock
To begin, I selected a variety of colored cardstocks from my stash. Some of the Altenew cardstock colors that come closest are Lavender Fields, Real Gray, Rouge, Lagoon, and Forest Glades. Next, I selected several assorted stamp sets with large, open designs, such as Sketchy Floral, Leaf Canopy, and Persian Motifs.
On each of the A2-sized cardstock panels, regardless of color, I stamped images to create an overall design, using Morning Frost Ink. As you can see in the photo below, it is a pale enough ink to not stamp in a strong color that could show through, and it still shows well enough to use as a coloring guide.
Once I have my images stamped, I began to color them, using a selection of the lightest shades of the alcohol-based Altenew Artist Markers. I started with the darkest marker first and color in the shadows; the bases of flowers and places that are over-layered in the image.
The photo above shows the first ink layer along with the first layer of marker coloring and the photo below shows the completed cards after all three layers of coloring has been completed and the second layer of stamping and heat embossing is done.
It is important to note that, while you could do this technique by the old school method of stamping by hand with an acrylic block, it is far easier to stamp twice and achieve a perfect look, with a stamping platform such as the MISTI.
The necessity for stamping twice is because (it has been said that) melted embossing will ruin the tips of alcohol markers, and for sure, the markers will color the embossed lines no matter how carefully you color – and that was not a look I was going for! So let the markers color the background and introduce the harmful (?!) heat embossed outlines last!
Next, I stamped my first layer with colored ink for the purpose of seeing where to color, and when finished with my coloring, I put the cardstock panel back into the MISTI and re-stamped with clear embossing ink then heat embossed with a choice of different colored embossing powders. Even though I used three different stamp sets, I had to work on each pair of cards individually, not removing the stamp from the MISTI until I had colored the card panels and completed the 2nd stamping.
For many of the colored areas of the designs, I layered 3 of the palest color shades onto the cardstock. Because we are coloring onto colored cardstock, our images are essentially already colored so all we are doing is adding a tint to the color of cardstock. For the papaya-colored card, I used markers Coral Berry, Frosty Pink, and Blush, and for the teal-colored card, I used Dusk, Mountain Mist, and Sea Glass.
These next two cards were stamped with the Sketchy Floral stamp set and colored with Dusk, Mountain Mist, and Sea Glass for the blue-toned card and Olive, Parrot, and Frayed Leaf for the green-hued card. You will note that even though I used the same three markers for the teal card above and for the gray card below, they look entirely different because we’re combining the alcohol tints with a different base color of cardstock.
As with most alcohol marker coloring, you add the darkest of the markers selected into the shaded areas of the leaves and petals, then extend the darkest color with the medium shade. At that point, it looks alarmingly dark so it’s best to set it aside for a moment to let the alcohol evaporate and then when you can see where the color is, come back and fill in the entire shape with the palest marker color, adding more of the primary or secondary shades as needed.
At this point, you can put the card panel back into the MISTI where the stamp still remains from the 1st stamping and re-stamp with clear embossing ink. I liked the sharp contrast of the white embossing and felt that it really showed the depth of the color in the flowers.
These last two cards were done in the same manner as outlined above, the only difference being in the marker choices for the coloring. Rather than sticking to shades of markers that exactly matched the cardstock, I introduced a few shades that were similar but not exact.
For example, I used the Mountain Mist marker on this olive-toned cardstock, along with the more aptly chosen Parrot, Forest Glades, and Frayed Leaf. The blue of the Mountain Mist marker blends and adds an extra vibrancy.
For this card, I did the same as outlined above and used a mix of Dusk, Caribbean Sky, Sea Glass, and Arctic, starting by laying down some depth and shadow with the darker colors and filling in the shape with the lighter shades.
For the blue card, I heat embossed with Platinum Embossing Powder.
I love the ease of this technique and in the interest of turning out a stack of similar cards, I kept it simple by finishing the coloring and 2nd stamping, then adhering the card panels to a card base and only adding a few rhinestones or coordinating enamel dots to complete the cards.
I hope you are as intrigued by the beautiful simplicity of this project and find that creating them is as satisfyingly easy as I’ve suggested. If you post on social media, please tag me so that I can see how you’ve translated this project and leave you some love!
Thanks for stopping by and have a great day!